“Vanity Fair’s Independence Day Pageant,” in Charles Sheeler: Art, Industry, and Fashion, ed. Kirsten Jensen (Michener Art Museum, Doylestown, Pennsylvania, 2017), 47-65.
“‘Ceramic Pieces in the Mode of Our Day’: Stonelain and Decorative Taste in the American Home, 1950–1954,” in Art for Every Home: Associated American Artists, eds. Elizabeth Seaton and Jane McNamara Myers (Marianna Kistler Beach Museum of Art, Kansas State University, and Yale University Press, 2015), 167-85. In addition, “‘Apology Areas,’ or, How to Decorate with Pictures,” 186-88.
“La Galerie d’Art: Exposer l’art moderne dans le New York des années 1920,” in Carrefour Stieglitz: Colloque de Cerisy-la-Salle, ed. Jay Bochner and Jean-Pierre Montier (Collection “Art & Société,” Presses Universitaires de Rennes, 2012), 55-67.
“‘The Happiest Party in Town’: Cocktail Accessories and American Culture, 1945-1965,” in Cocktail Culture: Ritual and Invention in American Fashion, 1920-1980, ed. Joanne Ingersoll (RISD Museum, 2011), 75-87.
“Designing the Modern Family at the Fairs,” in Designing the World of Tomorrow: America’s World’s Fairs of the 1930s, eds. Laura Schiavo and Robert W. Rydell (Yale University Press and the National Building Museum, 2010), 141-157.
“The Avant-Garde and the Conservative in Lighting Design: The Modernism of Walter W. Kantack,” and Guest Editor’s Introduction, for Special Issue on American Modernism, Studies in the Decorative Arts 14, no. 2 (Spring-Summer 2007): 117-144; 2-5.
“Brooks Stevens, the Man in Your Life: Shaping the Domestic Sphere, 1934-1950,” in Industrial Strength Design: How Brooks Stevens Shaped Your World, ed. Glenn Adamson. (MIT Press and the Milwaukee Art Museum, 2003), 9-22.