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Landon, H.C. Robbins. Haydn: Chronicle and Works, vol. 2<\/i>. Bloomington: Indiana University Press, 1976.<\/p>\n
Larsen, Jens Peter. Handel, Haydn, and the Viennese Classical Style<\/i>. Ann Arbor: UMI Research Press, 1988.<\/p>\n
Larson, Jens Peter, Howard Serwer, and James Webster (eds), Haydn Studies: Proceedings of the International Haydn Conference<\/i>. Washington, D.C. New York: Norton, 1981.<\/p>\n
Rosen, Charles. The Classical Style<\/i>. New York: Norton, 1971.<\/p>\n
Schroeder, David P. Haydn and the Enlightenment<\/i>. Oxford: Clarendon, 1990.<\/p>\n
Sutcliffe, W. Dean. \u201cExpressive Ambivalence in Haydn’s Symphonic Slow Movements of the 1770s.\u201d The Journal of Musicology<\/i> 27 (2010): 84-134.<\/p>\n
Sutcliffe, W. Dean. Haydn: String Quartets, Op. 50<\/i>. <\/i>Cambridge: Cambridge University Press, 1992.<\/p>\n
Webster, James. Haydn\u2019s \u2018Farewell\u2019 Symphony and the Idea of Classical Style<\/i>. Cambridge: Cambridge University Press, 1991.<\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
Bonds, Mark Evan. \u201cHaydn, Laurence Stern, and the Origins of Musical Irony.\u201d Journal of the American Musicological Society 44 (1991): 57-91. Grave, Floyd and Margaret Grave. The String Quartets of Joseph Haydn. Oxford: Oxford University Press, 2006. Landon, H.C. Robbins. Haydn: Chronicle and Works, vol. 2. Bloomington: Indiana University Press, \u2026 Continue reading<\/a><\/p>\n","protected":false},"author":8,"featured_media":0,"parent":63,"menu_order":6,"comment_status":"open","ping_status":"open","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-266","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/wordpress.clarku.edu\/musicresearch\/wp-json\/wp\/v2\/pages\/266","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress.clarku.edu\/musicresearch\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wordpress.clarku.edu\/musicresearch\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress.clarku.edu\/musicresearch\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress.clarku.edu\/musicresearch\/wp-json\/wp\/v2\/comments?post=266"}],"version-history":[{"count":0,"href":"https:\/\/wordpress.clarku.edu\/musicresearch\/wp-json\/wp\/v2\/pages\/266\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/wordpress.clarku.edu\/musicresearch\/wp-json\/wp\/v2\/pages\/63"}],"wp:attachment":[{"href":"https:\/\/wordpress.clarku.edu\/musicresearch\/wp-json\/wp\/v2\/media?parent=266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}