{"id":184,"date":"2014-01-12T15:40:07","date_gmt":"2014-01-12T20:40:07","guid":{"rendered":"https:\/\/wordpress.clarku.edu\/mixlit\/?p=184"},"modified":"2015-12-14T07:20:51","modified_gmt":"2015-12-14T12:20:51","slug":"hiro","status":"publish","type":"post","link":"https:\/\/wordpress.clarku.edu\/mixlit\/hiro\/","title":{"rendered":"Hiro Protagonist"},"content":{"rendered":"<div class=\"row-fluid\">\n<div class=\"span4\">\n<p>&nbsp;<\/p>\n<p><span style=\"color: #c0c0c0\"><span style=\"color: #c0c0c0\"><span style=\"color: #c0c0c0\"><strong><a href=\"https:\/\/wordpress.clarku.edu\/wp-content\/uploads\/sites\/259\/2014\/01\/snowcrash.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-185\" alt=\"snowcrash\" src=\"https:\/\/wordpress.clarku.edu\/wp-content\/uploads\/sites\/259\/2014\/01\/snowcrash-177x300.png\" width=\"177\" height=\"300\" srcset=\"https:\/\/wordpress.clarku.edu\/mixlit\/wp-content\/uploads\/sites\/259\/2014\/01\/snowcrash-177x300.png 177w, https:\/\/wordpress.clarku.edu\/mixlit\/wp-content\/uploads\/sites\/259\/2014\/01\/snowcrash-88x150.png 88w, https:\/\/wordpress.clarku.edu\/mixlit\/wp-content\/uploads\/sites\/259\/2014\/01\/snowcrash.png 295w\" sizes=\"auto, (max-width: 177px) 100vw, 177px\" \/><\/a>Character:\u00a0<\/strong><span style=\"color: #333333\">Hiro Protagonist<\/span><\/span><\/span><\/span><\/p>\n<p style=\"text-align: left\"><span style=\"color: #c0c0c0\"><strong>Source Text:<\/strong> <\/span>\u00a0Stephenson, Neal. <i>Snow Crash<\/i>. New York: Bantam Books, 1992. Print.<\/p>\n<p><span style=\"color: #c0c0c0\"><strong>Entry Author: <\/strong><span style=\"color: #333333\">Erin O&#8217;Kelly<\/span><\/span><\/p>\n<\/div>\n<div class=\"span8\">Stephenson\u2019s character Hiro is half-American Black, half-Korean, and all protagonist. A talented programmer and hacker, Hiro is instrumental to the world of the story even before its events drag him into an informational intrigue, having helped to create and develop the immersive Internet equivalent known in the novel as the Metaverse. When the story opens he\u2019s working a high-risk, low-pay job as a futuristic pizza deliveryman, but that quickly comes to a crashing halt when he crashes the Mafia-owned delivery car, sending him back to his backup job as a freelance information-gatherer. Soon he is embroiled in a high-tech struggle for a new sort of infoweapon that his unorthodox hacker past has made him well-prepared to deal with.<\/div>\n<div class=\"span8\">\n<p>&nbsp;<\/p>\n<p>While his ability to deal with the plot twists leading up to the final showdown is not predicated on his race, the course of the story makes several turns that do rely on racially charged events to get from plot point A to plot point B to plot point Z.Hiro\u2019s role in the novel covers everything from gathering information to protecting himself and others to chopping people up with swords and, interestingly, his mixed heritage makes subtle but important contributions in all of those areas. He uses his heritage as an American Black to make get the social results he wants in some situations, like when he forces a confrontation with a Japanese pop star to make sure that a concert he organized goes on as planned: \u201cWhat the hell. This is America, Hiro is American, and there\u2019s no reason to take this politeness thing to an unhealthy extreme\u201d (Stephenson 132). Similarly, in the novel\u2019s world of racially-specific closed-gate communities, a type of franchise called \u201cburbclaves\u201d, his Korean ancestry gives him an in to the city-franchise Mr. Lee\u2019s Greater Hong Kong. Without that access to the refuge of a Greater Hong Kong that his citizenship affords him, he and one of the other main characters, YT, would have likely been taken out of commission in the first hundred pages by a bunch of angry taxi drivers; later on, his ability to access the Asian-centric franchise saves him from getting shot by a bunch of Russian gunmen. His ability to bring YT into this otherwise off-limits sphere of influence also advances the plot by setting the stage for a later karmatic payback for an act of kindness performed during her stay.<\/p>\n<p>The attention his mixed heritage attracts is not entirely benign, however, and also singles him out as a target for curiosity and animosity. Many people are unable to peg his ethnic background, and others\u2019 misinterpretations spark conflict. One Japanese businessman who thinks his black heritage should deny him the use of his inherited Japanese swords challenges his honor and right to hold the weapons (Stephenson 85). A later scene makes him a target for racists who aren\u2019t sure what his heritage is, exactly, but know they don\u2019t like it and can\u2019t figure out which epithet to call him (Stephenson 301). Despite this, a majority of the attention paid to Hiro\u2019s heritage is narrative, not part of any dialogue.\u00a0 Although the reader is up-to-date on the matter, Hiro doesn\u2019t usually bother to correct the person doing the mislabeling. He simply continues doing what he always does: making effective uses of both sides of his heritage to accomplish what he wants or needs to do, and saving a good chunk of the world in the process.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Character:\u00a0Hiro Protagonist Source Text: \u00a0Stephenson, Neal. Snow Crash. New York: Bantam Books, 1992. Print. Entry Author: Erin O&#8217;Kelly Stephenson\u2019s character Hiro is half-American Black, half-Korean, and all protagonist. A [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":185,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[20624],"tags":[20577,20625,20592],"class_list":{"0":"post-184","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-snow-crash","8":"tag-black","9":"tag-korean","10":"tag-male","11":"czr-hentry"},"_links":{"self":[{"href":"https:\/\/wordpress.clarku.edu\/mixlit\/wp-json\/wp\/v2\/posts\/184","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress.clarku.edu\/mixlit\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress.clarku.edu\/mixlit\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress.clarku.edu\/mixlit\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress.clarku.edu\/mixlit\/wp-json\/wp\/v2\/comments?post=184"}],"version-history":[{"count":0,"href":"https:\/\/wordpress.clarku.edu\/mixlit\/wp-json\/wp\/v2\/posts\/184\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress.clarku.edu\/mixlit\/wp-json\/wp\/v2\/media\/185"}],"wp:attachment":[{"href":"https:\/\/wordpress.clarku.edu\/mixlit\/wp-json\/wp\/v2\/media?parent=184"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress.clarku.edu\/mixlit\/wp-json\/wp\/v2\/categories?post=184"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress.clarku.edu\/mixlit\/wp-json\/wp\/v2\/tags?post=184"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}