{"id":153,"date":"2014-01-05T08:05:05","date_gmt":"2014-01-05T13:05:05","guid":{"rendered":"https:\/\/wordpress.clarku.edu\/mixlit\/?p=153"},"modified":"2015-12-14T07:12:34","modified_gmt":"2015-12-14T12:12:34","slug":"georges","status":"publish","type":"post","link":"https:\/\/wordpress.clarku.edu\/mixlit\/georges\/","title":{"rendered":"Georges"},"content":{"rendered":"
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\"Georges\"<\/a><\/a>Character:\u00a0<\/strong><\/span><\/span><\/span>Georges<\/p>\n

Source Text:<\/strong> <\/span>\u00a0S\u00e9jour, Victor. “The Mulatto.” The Norton Anthology of African American Literature<\/i>. Ed. Henry L. Gates Jr. and Nellie Y. McKay. Second ed. N.p.: Penguin Classics, 2003. Print.<\/p>\n

Entry Author:<\/strong> <\/span>\u00a0Crystal Carpenter<\/p>\n<\/div>\n

\u201cMaster,\u201d he said\u2026But you know, do you not, that a Negro\u2019s as vile as a dog; society rejects him; men detest him, the laws curse him.\u201d This begins the second paragraph of The Mulatto<\/i>, a story told by an older freed slave. Slaves were forced to believe the life whites provided was the best for them. The slaves who rebelled were punished so there was no risk of an uprising. This story is about Georges (a mixed race, tragic mulatto) searching for his identity in the name of the father he does not know.The story begins with the rape of La\u00efsa by her master, Alfred, which leads to the birth of Georges. Not knowing who his father is causes some identity confliction. Georges would beg his mother for the name of his father hoping this would help him gain some of his identity. Georges held on to the closest father figure he knew, his master, Alfred. These symptoms of identity confliction are a natural trope of the tragic mulatto\u2019s characterization.<\/p>\n

The tragic mulatto\/a is normally characterized as a mixed-race figure who finds him- or herself depressed, suicidal, fratricidal, and\/or patricidal due either to a lack of identity or to an innate, biological corruption. According to the stereotype, these individuals do not know whether they fit into white society or into black society and are often made to choose between their dual identities, passing either into whiteness (the most familiar trope) or into blackness (Daut 2).<\/p>\n

The tragic mulatto, based on gender, is depicted differently. Both have similar aspects but men usually have an oedipal complex. The plot for a male tragic mulatto usually goes through a pattern of identity confliction, loss, power reversal, revenge and rebellion (and sometimes death). Georges use his revenge on Alfred as a way to reverse Alfred\u2019s power over him, and rebelling against his father in an emblematic way. Any slave born out of \u201cthe violation of identity caused by miscegenation\u201d (Daut 12) becomes more intense in their revenge and need to kill \u2013 as a way to sever the ties between the absent father. Once Georges has reversed the power roles and now holds Alfred\u2019s fate in his grasp, he will seek justice for his mother, wife, and himself by making Alfred the victim. After Georges has discovered that Alfred is his father he commits his final act as the tragic mulatto, taking his own life. Georges as the tragic mulatto stirs mixed emotions within the reader, because his fictional story as a mixed race slave becomes real to the reader. The motivation of his actions was not to kill for the sake of it, but to right the wrong Alfred would not. If Georges had known Alfred was his father he would not have killed him so readily. This is what makes Georges so tragic he became entwined in a false identity of passionate revenge, and never had the chance to mend his own identity.<\/p>\n

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Work Cited<\/p>\n

Daut, Marlene L. “”Sons of White Fathers”: Mulatto Vengeance and the Haitian Revolution in<\/p>\n

Victor S\u00e9jour’s “The Mulatto”.” Nineteenth-Century Literature<\/i> 65.1 (2010): 1-37. JSTOR<\/i>.<\/p>\n

Web. 8 Nov. 2013.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Character:\u00a0Georges Source Text: \u00a0S\u00e9jour, Victor. “The Mulatto.” The Norton Anthology of African American Literature. Ed. Henry L. Gates Jr. and Nellie Y. McKay. Second ed. N.p.: Penguin Classics, 2003. Print. […]<\/p>\n","protected":false},"author":6,"featured_media":154,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[20616],"tags":[20577,20592,20578],"class_list":{"0":"post-153","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-the-mulatto","8":"tag-black","9":"tag-male","10":"tag-white","11":"czr-hentry"},"_links":{"self":[{"href":"https:\/\/wordpress.clarku.edu\/mixlit\/wp-json\/wp\/v2\/posts\/153","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress.clarku.edu\/mixlit\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress.clarku.edu\/mixlit\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress.clarku.edu\/mixlit\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress.clarku.edu\/mixlit\/wp-json\/wp\/v2\/comments?post=153"}],"version-history":[{"count":0,"href":"https:\/\/wordpress.clarku.edu\/mixlit\/wp-json\/wp\/v2\/posts\/153\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress.clarku.edu\/mixlit\/wp-json\/wp\/v2\/media\/154"}],"wp:attachment":[{"href":"https:\/\/wordpress.clarku.edu\/mixlit\/wp-json\/wp\/v2\/media?parent=153"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress.clarku.edu\/mixlit\/wp-json\/wp\/v2\/categories?post=153"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress.clarku.edu\/mixlit\/wp-json\/wp\/v2\/tags?post=153"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}