{"id":146,"date":"2014-01-05T07:45:23","date_gmt":"2014-01-05T12:45:23","guid":{"rendered":"https:\/\/wordpress.clarku.edu\/mixlit\/?p=146"},"modified":"2015-12-14T07:21:19","modified_gmt":"2015-12-14T12:21:19","slug":"squeak","status":"publish","type":"post","link":"https:\/\/wordpress.clarku.edu\/mixlit\/squeak\/","title":{"rendered":"Squeak\/Mary Agnes"},"content":{"rendered":"<div class=\"row-fluid\">\n<div class=\"span4\"><a href=\"https:\/\/wordpress.clarku.edu\/wp-content\/uploads\/sites\/259\/2014\/01\/thecolorpurple.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-147\" alt=\"The Color Purple\" src=\"https:\/\/wordpress.clarku.edu\/wp-content\/uploads\/sites\/259\/2014\/01\/thecolorpurple-204x300.jpg\" width=\"204\" height=\"300\" srcset=\"https:\/\/wordpress.clarku.edu\/mixlit\/wp-content\/uploads\/sites\/259\/2014\/01\/thecolorpurple-204x300.jpg 204w, https:\/\/wordpress.clarku.edu\/mixlit\/wp-content\/uploads\/sites\/259\/2014\/01\/thecolorpurple-102x150.jpg 102w, https:\/\/wordpress.clarku.edu\/mixlit\/wp-content\/uploads\/sites\/259\/2014\/01\/thecolorpurple-699x1024.jpg 699w, https:\/\/wordpress.clarku.edu\/mixlit\/wp-content\/uploads\/sites\/259\/2014\/01\/thecolorpurple.jpg 1160w\" sizes=\"auto, (max-width: 204px) 100vw, 204px\" \/><\/a><span style=\"color: #c0c0c0;\"><span style=\"color: #c0c0c0;\"><span style=\"color: #c0c0c0;\"><strong>Character:\u00a0<\/strong><\/span><\/span><\/span>Squeak\/Mary Agnes<\/p>\n<p><span style=\"color: #c0c0c0;\"><strong>Source Text:<\/strong> <\/span>\u00a0Walker, Alice. <i>The Color Purple<\/i>. The United States of America: Harcourt, 1982. Print.<\/p>\n<p><span style=\"color: #c0c0c0;\"><strong>Entry Author:<\/strong> <\/span>\u00a0Claire Tierney<\/p>\n<\/div>\n<div class=\"span8\">Squeak is a minor character in Alice Walker\u2019s <i>The Color Purple<\/i>, but she is essential, as she is the only character expressly identified as mixed race, having both white and black ancestry. Squeak\u2019s story is one of growth and transformation. Squeak becomes Mary Agnes, and in the process becomes strong, independent, and appreciated.She is called Squeak because she is quiet, and assumed to be ineffectual. She is often called \u201clittle Squeak\u201d,\u00a0 as she has been conditioned by society to respond affectionately and feebly to everyone, especially the men, around her. She constantly calls her lover Harpo \u201cbaby\u201d and cries when she is ignored (84). She believes her light skin is the primary reason Harpo is with her, suggesting her race is a large aspect of her identity. She asks Harpo, \u201cDo you really love me, or just my color?\u201d (97).Initially Squeak begins a life with Harpo after Sophia leaves him, creating a natural point of comparison between the two females. At the beginning of the novel, Squeak acts as a foil to the thick-skinned and confident Sophia, who does not accept disrespect from anyone, male or female. After Sophia is imprisoned for defending herself against the mayor\u2019s assault, the characters are distraught, and are considering solutions when Squeak asks, \u201cWhat can we do?\u201d (90). Squeak figures out she is the blood-relative of the white warden, and Celie and the other women \u201cdress Squeak like a white woman\u201d (93).She is passing for a white woman when she goes to the prison to plead for Sophia\u2019s release, only to return having been raped by the warden. This event changes Squeak, causing her to realize her power and self-worth. Her first words to Harpo after he recognizes she has been attacked are \u201cShut Up, Harpo. I\u2019m telling it\u201d (95).After she is raped, she fights against Harpo just as Sophia did, and ultimately leaves him just as Sophia did. She becomes a singer like Shug, providing herself with a job that relies on her feminine singing voice, which is \u201chigh, sort of mewing\u201d according to Celie(98). While she initially sings Shug\u2019s songs at the juke joint, she eventually writes her own. Additionally, she helps Sophia take care of the Mayor\u2019s children. In doing this, she becomes a part of a community of strong women of color.<\/p>\n<p>Squeak\u2019s character is shaped largely by her relativity to the other women in the novel. Readers are introduced to her as Harpo\u2019s new girl, where she is slightly villainized as she is seen as Sophia\u2019s replacement. This is evidenced when Squeak\u2019s teeth are knocked out by Sophia during a confrontation. By the end of the novel, Mary Agnes\u2019s character is as dependable and competent as any of the other female characters, and this forces the characters and readers to respect her. This transformation and this sense of separation from the other characters is evident in her song,<\/p>\n<blockquote>\n<p align=\"center\">They calls me yellow,<\/p>\n<p align=\"center\">like yellow be my name<\/p>\n<p align=\"center\">They calls me yellow<\/p>\n<p align=\"center\">like yellow be my name<\/p>\n<p align=\"center\">But if yellow is a name<\/p>\n<p align=\"center\">Why ain\u2019t black the same<\/p>\n<p align=\"center\">Well, if I say hey black girl<\/p>\n<p align=\"center\">Lord, she try to ruin my game<\/p>\n<p align=\"center\">(99).<\/p>\n<\/blockquote>\n<p>Squeak stands strong with the other women in the novel, while also claiming her own independence and identity as a woman of mixed race, as an outsider looking in. This separateness becomes a point of independence for Mary Agnes. At the novel\u2019s beginning Squeak is an outsider in her world. She stood pale in comparison to strong characters like Shug and Sophia. By the end of the novel, she proves that she is not to be compared to other women, that she stands alone.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Character:\u00a0Squeak\/Mary Agnes Source Text: \u00a0Walker, Alice. The Color Purple. The United States of America: Harcourt, 1982. Print. Entry Author: \u00a0Claire Tierney Squeak is a minor character in Alice Walker\u2019s The [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":147,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[20615],"tags":[20577,20594,20585,20578],"class_list":{"0":"post-146","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-the-color-purple","8":"tag-black","9":"tag-female","10":"tag-south","11":"tag-white","12":"czr-hentry"},"_links":{"self":[{"href":"https:\/\/wordpress.clarku.edu\/mixlit\/wp-json\/wp\/v2\/posts\/146","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress.clarku.edu\/mixlit\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress.clarku.edu\/mixlit\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress.clarku.edu\/mixlit\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress.clarku.edu\/mixlit\/wp-json\/wp\/v2\/comments?post=146"}],"version-history":[{"count":0,"href":"https:\/\/wordpress.clarku.edu\/mixlit\/wp-json\/wp\/v2\/posts\/146\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress.clarku.edu\/mixlit\/wp-json\/wp\/v2\/media\/147"}],"wp:attachment":[{"href":"https:\/\/wordpress.clarku.edu\/mixlit\/wp-json\/wp\/v2\/media?parent=146"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress.clarku.edu\/mixlit\/wp-json\/wp\/v2\/categories?post=146"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress.clarku.edu\/mixlit\/wp-json\/wp\/v2\/tags?post=146"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}