{"id":329,"date":"2016-05-20T12:28:31","date_gmt":"2016-05-20T16:28:31","guid":{"rendered":"https:\/\/wordpress.clarku.edu\/krwilson\/?page_id=329"},"modified":"2025-03-31T08:22:44","modified_gmt":"2025-03-31T12:22:44","slug":"students","status":"publish","type":"page","link":"https:\/\/wordpress.clarku.edu\/krwilson\/students\/","title":{"rendered":"Students"},"content":{"rendered":"<p>Wilson has supervised and read many undergraduate Senior&nbsp;Theses in Art History while at Clark University. Here is a list of titles and authors:<\/p>\n<p>Nora Rueffer \u201924, \u201cThe Burnside Fountain: A Story of Failure\u201d [adviser]<\/p>\n<p>Emily Abney \u201924, &#8220;The Birth of a Venetian Venus: From the Page to the Painting&#8221; [second reader]&nbsp;<\/p>\n<p>Kira Houston \u201923, \u201cQueer Relationality: Ray Johnson\u2019s Silhouettes as Glyphs, Dumps, Letters and Holes\u201d [adviser]<\/p>\n<p>Maire O\u2019Donnell \u201923, \u201cResignification and Reclaiming during <em>La Movida Madrile\u00f1a<\/em>: Artificiality and Subversion in Ouka Leele\u2019s <em>Peluquer\u00eda<\/em>\u201d [adviser]<\/p>\n<p>Toni Armstrong \u201919, \u201c\u2018The Nation Which Rejects the Home\u2019: Katherine Dreier and a New Museum for the American Home&#8221; [adviser]<\/p>\n<p>Alice Dillon \u201919, \u201cSolidarity and Inclusion: An Exploration of Lesbian HIV\/AIDS Activism through Photography\u201d [co-advised with History Department]<\/p>\n<p>Alisha Savoy \u201919, \u201cRemedios Varo: Finding Home as an Exile\u201d [adviser]<\/p>\n<p>Katherine Grady &#8217;18, &#8220;A Comparison Between French and Italian Books of Hours: The Tension Between Female Agency and Idealized Womanhood&#8221; [second reader]<\/p>\n<p>Jeremy Doss &#8217;17, &#8220;The Triumph of Jean-Michel Basquiat: The Black Self in Conflict with Modernity&#8221; [adviser]<\/p>\n<p>Abby Moon &#8217;17, &#8220;Primitivist Nostalgia and Postwar Solitude: The Emotionalism of Ernst Ludwig Kirchner&#8217;s 1924 Umbra Vitae Woodcuts&#8221; [adviser]<\/p>\n<p>Selena Shabot &#8217;15, &#8220;<em>Entartete Frauen<\/em>: Artistic Representation and Gender Politics in the Degenerate Art Exhibition of 1937&#8243; [adviser]<\/p>\n<p>J. Dunlop Spahr &#8217;14, &#8220;The Temple at Antiochia ad Cragum: An Examination of Roman Imperial Architectural Mouldings&#8221; [second reader]<\/p>\n<p>Kristin Withers &#8217;14, &#8220;The Reconstruction of the Corinthian Capital at Antiochia ad Cragum&#8221; [second reader]<\/p>\n<p>Stefanie Gough &#8217;14, &#8220;Uncanny Reflection in Corinth&#8217;s <em>At the Mirror<\/em>: A Neuropsychological Look at the Effects of a Stroke on Perceptions of Identity and Truth&#8221; [adviser]<\/p>\n<p>Casey Harrington &#8217;13, &#8220;A Stately Family Portrait: Exploring the artist, story, and significance of the double portrait in the Worcester Art Museum titled <em>Antonio Montalvo&#8217;s Wife, and One of His Sons<\/em>, by a follower of Angnolo Bronzino (1503-1572)&#8221; [second reader]<\/p>\n<p>Mary Gumpert &#8217;12, &#8220;Can you CopyRight a Square? Examining Kazimir Malevich&#8217;s Legacy and the issue of Authenticity in Unattributed art from the Russian Avant-Garde&#8221; [adviser]<\/p>\n<p>Jared Packard-Winkler &#8217;12, &#8220;The Pollock Mystique: Constructed in the Eyes of Popular Culture&#8221; [adviser]<\/p>\n<p>Amelia M. Reno &#8217;12, &#8220;Temple at Antiochia Ad Gragum: Anta Reconstruction Project&#8221; [second reader]<\/p>\n<p>Ashley McNelis &#8217;11, &#8220;Lee Miller&#8217;s Development as an Artist: The Appropriation of Surrealism in Covering the Second World War&#8221; [adviser]<\/p>\n<p>Patrick Greer &#8217;11, &#8220;Kant and Bell: Form in Modern Art&#8221; [thesis in Philosophy, second reader]<\/p>\n<p>Claire Frost &#8217;10, &#8220;Interpreting Usonia: Frank Lloyd Wright&#8217;s Baird and Zimmerman Houses&#8221; [adviser]<\/p>\n<p>Adam Parison&#8217; 10, &#8220;Van Gogh&#8217;s Metamorphosis: <em>Japonisme<\/em> and Japanese Art&#8217;s Effect on Van Gogh&#8217;s Paintings&#8221; [adviser]<\/p>\n<p>Kami Lemke &#8217;10, &#8220;Italianate Architecture: The Palazzo Vecchio in Massachusetts&#8221; [second reader]<\/p>\n<p>Tiffany Racco &#8217;06, &#8220;Seicento Naples: Patronage and Painting in the Age of Spanish Imperialism&#8221; [second reader]<\/p>\n<p>Kelli Blank &#8217;05, &#8220;The Rest Will Follow: Authority and the Early Buildings of the Worcester Art Museum&#8221; [adviser]<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wilson has supervised and read many undergraduate Senior&nbsp;Theses in Art History while at Clark University. Here is a list of titles and authors: Nora Rueffer \u201924, \u201cThe Burnside Fountain: A Story of Failure\u201d [adviser] Emily Abney \u201924, &#8220;The Birth of &hellip; <a href=\"https:\/\/wordpress.clarku.edu\/krwilson\/students\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":199,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-329","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/wordpress.clarku.edu\/krwilson\/wp-json\/wp\/v2\/pages\/329","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress.clarku.edu\/krwilson\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wordpress.clarku.edu\/krwilson\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress.clarku.edu\/krwilson\/wp-json\/wp\/v2\/users\/199"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress.clarku.edu\/krwilson\/wp-json\/wp\/v2\/comments?post=329"}],"version-history":[{"count":0,"href":"https:\/\/wordpress.clarku.edu\/krwilson\/wp-json\/wp\/v2\/pages\/329\/revisions"}],"wp:attachment":[{"href":"https:\/\/wordpress.clarku.edu\/krwilson\/wp-json\/wp\/v2\/media?parent=329"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}