{"id":28,"date":"2012-05-02T15:59:18","date_gmt":"2012-05-02T15:59:18","guid":{"rendered":"https:\/\/wordpress.clarku.edu\/krwilson\/?page_id=28"},"modified":"2021-05-16T11:22:15","modified_gmt":"2021-05-16T15:22:15","slug":"selected-publications","status":"publish","type":"page","link":"https:\/\/wordpress.clarku.edu\/krwilson\/selected-publications\/","title":{"rendered":"Selected Publications"},"content":{"rendered":"

“Mid-Century Modernism’s Racial History,” Hyperallergic, <\/em>April 26, 2021.<\/a><\/p>\n

\u201cAdd Bates, 306, and interlocking modernisms in mid-century Harlem.\u201d American Art<\/em> 35, no.1 (Spring 2021): 16-23<\/a>.<\/p>\n

\u201cVanity Fair<\/em>\u2019s Independence Day Pageant,\u201d<\/a> in Charles Sheeler: Art, Industry, and Fashion<\/em>, ed. Kirsten Jensen (Michener Art Museum, Doylestown, Pennsylvania, 2017), 47-65.<\/p>\n

\u201c\u2018Ceramic Pieces in the Mode of Our Day\u2019: Stonelain and Decorative Taste in the American Home, 1950\u20131954,\u201d<\/a> in Art for Every Home: Associated American Artists<\/em>, eds. Elizabeth Seaton and Jane McNamara Myers (Marianna Kistler Beach Museum of Art, Kansas State University, and Yale University Press, 2015), 167-85. In addition, \u201c\u2018Apology Areas,\u2019 or, How to Decorate with Pictures,\u201d<\/a> 186-88.<\/p>\n

“Fearing a ‘Conservative Public’: The Dial Collection in Worcester.” American Art<\/em> 27, no. 3 (Fall 2013): 27-33<\/a>.<\/p>\n

\u201cLa Galerie d\u2019Art: Exposer l\u2019art moderne dans le New York des ann\u00e9es 1920,\u201d in Carrefour Stieglitz: Colloque de Cerisy-la-Salle<\/i>, ed. Jay Bochner and Jean-Pierre Montier (Collection \u201cArt & Soci\u00e9t\u00e9,\u201d Presses Universitaires de Rennes, 2012), 55-67<\/a>.<\/p>\n

\u201cAmbivalence, Irony, and Americana: Sheeler\u2019s American Interiors.\u201d Winterthur Portfolio<\/em> 45, no. 4 (Winter 2011): 249-276<\/a>.<\/p>\n

\u201c\u2018The Happiest Party in Town\u2019: Cocktail Accessories and American Culture, 1945-1965,\u201d in Cocktail Culture: Ritual and Invention in American Fashion, 1920-1980<\/em>, ed. Joanne Ingersoll (RISD Museum, 2011), 75-87.<\/a><\/p>\n

\u201cDesigning the Modern Family at the Fairs,\u201d in Designing the World of Tomorrow: <\/em>America\u2019s World\u2019s Fairs of the 1930s<\/em>, eds. Laura Schiavo and Robert W. Rydell (Yale University Press and the National Building Museum, 2010), 141-157.<\/a><\/p>\n

\u201cThe Avant-Garde and the Conservative in Lighting Design: The Modernism of Walter W. Kantack,\u201d <\/a>and Guest Editor\u2019s Introduction<\/a>, for <\/em>Special Issue on American Modernism, Studies in the Decorative Arts<\/em> 14, no. 2 (Spring-Summer 2007): 117-144; 2-5.<\/p>\n

\u201c\u2018One Big Picture\u2019: A New View of Modern Art at the 1926 Brooklyn Exhibition,\u201d in The Soci\u00e9t\u00e9 Anonyme: Modernism for America<\/em>, ed. Jennifer Gross (Yale University Press, 2006), 75-95<\/a>.<\/p>\n

\u201cThe Intimate Gallery and the Equivalents<\/em>: Spirituality in the 1920s Work of Stieglitz.\u201d The Art Bulletin<\/em> 85, no. 4 (December 2003): 746-68<\/a>.<\/p>\n

\u201cBrooks Stevens, the Man in Your Life: Shaping the Domestic Sphere, 1934-1950,\u201d in Industrial Strength Design: How Brooks Stevens Shaped Your World<\/em>, ed. Glenn Adamson. (MIT Press and the Milwaukee Art Museum, 2003), 9-22.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

“Mid-Century Modernism’s Racial History,” Hyperallergic, April 26, 2021. \u201cAdd Bates, 306, and interlocking modernisms in mid-century Harlem.\u201d American Art 35, no.1 (Spring 2021): 16-23. \u201cVanity Fair\u2019s Independence Day Pageant,\u201d in Charles Sheeler: Art, Industry, and Fashion, ed. Kirsten Jensen (Michener Art Museum, … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":91,"featured_media":0,"parent":0,"menu_order":25,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-28","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/wordpress.clarku.edu\/krwilson\/wp-json\/wp\/v2\/pages\/28","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress.clarku.edu\/krwilson\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wordpress.clarku.edu\/krwilson\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress.clarku.edu\/krwilson\/wp-json\/wp\/v2\/users\/91"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress.clarku.edu\/krwilson\/wp-json\/wp\/v2\/comments?post=28"}],"version-history":[{"count":0,"href":"https:\/\/wordpress.clarku.edu\/krwilson\/wp-json\/wp\/v2\/pages\/28\/revisions"}],"wp:attachment":[{"href":"https:\/\/wordpress.clarku.edu\/krwilson\/wp-json\/wp\/v2\/media?parent=28"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}